The acoustic characteristics of professional opera singers performing in chorus versus solo mode.
Identifieur interne : 001582 ( Main/Exploration ); précédent : 001581; suivant : 001583The acoustic characteristics of professional opera singers performing in chorus versus solo mode.
Auteurs : Katherine L P. Reid [Australie] ; Pamela Davis ; Jennifer Oates ; Densil Cabrera ; Sten Ternström ; Michael Black ; Janice ChapmanSource :
- Journal of voice : official journal of the Voice Foundation [ 0892-1997 ] ; 2007.
English descriptors
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- MESH :
Abstract
In this study, members of a professional opera chorus were recorded using close microphones, while singing in both choral and solo modes. The analysis included computation of long-term average spectra (LTAS) for the two song sections performed and calculation of singing power ratio (SPR) and energy ratio (ER), which provide an indication of the relative energy in the singer's formant region. Vibrato rate and extent were determined from two matched vowels, and SPR and ER were calculated for these vowels. Subjects sung with equal or more power in the singer's formant region in choral versus solo mode in the context of the piece as a whole and in individual vowels. There was no difference in vibrato rate and extent between the two modes. Singing in choral mode, therefore, required the ability to use a similar vocal timbre to that required for solo opera singing.
DOI: 10.1016/j.jvoice.2005.08.010
PubMed: 16427767
Affiliations:
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Reid</name><affiliation wicri:level="1"><nlm:affiliation>Australian Centre for Applied Research in Music Performance, Sydney Conservatorium of Music, University of Sydney, Sydney, Australia.</nlm:affiliation><country xml:lang="fr">Australie</country><wicri:regionArea>Australian Centre for Applied Research in Music Performance, Sydney Conservatorium of Music, University of Sydney, Sydney</wicri:regionArea><wicri:noRegion>Sydney</wicri:noRegion></affiliation></author><author><name sortKey="Davis, Pamela" sort="Davis, Pamela" uniqKey="Davis P" first="Pamela" last="Davis">Pamela Davis</name></author><author><name sortKey="Oates, Jennifer" sort="Oates, Jennifer" uniqKey="Oates J" first="Jennifer" last="Oates">Jennifer Oates</name></author><author><name sortKey="Cabrera, Densil" sort="Cabrera, Densil" uniqKey="Cabrera D" first="Densil" last="Cabrera">Densil Cabrera</name></author><author><name sortKey="Ternstrom, Sten" sort="Ternstrom, Sten" uniqKey="Ternstrom S" first="Sten" last="Ternström">Sten Ternström</name></author><author><name sortKey="Black, Michael" sort="Black, Michael" uniqKey="Black M" first="Michael" last="Black">Michael Black</name></author><author><name sortKey="Chapman, Janice" sort="Chapman, Janice" uniqKey="Chapman J" first="Janice" last="Chapman">Janice Chapman</name></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="2007">2007</date><idno type="doi">10.1016/j.jvoice.2005.08.010</idno><idno type="RBID">pubmed:16427767</idno><idno type="pmid">16427767</idno><idno type="wicri:Area/PubMed/Corpus">000502</idno><idno type="wicri:Area/PubMed/Curation">000502</idno><idno type="wicri:Area/PubMed/Checkpoint">000431</idno><idno type="wicri:Area/Ncbi/Merge">000376</idno><idno type="wicri:Area/Ncbi/Curation">000376</idno><idno type="wicri:Area/Ncbi/Checkpoint">000376</idno><idno type="wicri:doubleKey">0892-1997:2007:Reid K:the:acoustic:characteristics</idno><idno type="wicri:Area/Main/Merge">001605</idno><idno type="wicri:Area/Main/Curation">001582</idno><idno type="wicri:Area/Main/Exploration">001582</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">The acoustic characteristics of professional opera singers performing in chorus versus solo mode.</title><author><name sortKey="Reid, Katherine L P" sort="Reid, Katherine L P" uniqKey="Reid K" first="Katherine L P" last="Reid">Katherine L P. 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The analysis included computation of long-term average spectra (LTAS) for the two song sections performed and calculation of singing power ratio (SPR) and energy ratio (ER), which provide an indication of the relative energy in the singer's formant region. Vibrato rate and extent were determined from two matched vowels, and SPR and ER were calculated for these vowels. Subjects sung with equal or more power in the singer's formant region in choral versus solo mode in the context of the piece as a whole and in individual vowels. There was no difference in vibrato rate and extent between the two modes. Singing in choral mode, therefore, required the ability to use a similar vocal timbre to that required for solo opera singing.</div></front></TEI><affiliations><list><country><li>Australie</li></country></list><tree><noCountry><name sortKey="Black, Michael" sort="Black, Michael" uniqKey="Black M" first="Michael" last="Black">Michael Black</name><name sortKey="Cabrera, Densil" sort="Cabrera, Densil" uniqKey="Cabrera D" first="Densil" last="Cabrera">Densil Cabrera</name><name sortKey="Chapman, Janice" sort="Chapman, Janice" uniqKey="Chapman J" first="Janice" last="Chapman">Janice Chapman</name><name sortKey="Davis, Pamela" sort="Davis, Pamela" uniqKey="Davis P" first="Pamela" last="Davis">Pamela Davis</name><name sortKey="Oates, Jennifer" sort="Oates, Jennifer" uniqKey="Oates J" first="Jennifer" last="Oates">Jennifer Oates</name><name sortKey="Ternstrom, Sten" sort="Ternstrom, Sten" uniqKey="Ternstrom S" first="Sten" last="Ternström">Sten Ternström</name></noCountry><country name="Australie"><noRegion><name sortKey="Reid, Katherine L P" sort="Reid, Katherine L P" uniqKey="Reid K" first="Katherine L P" last="Reid">Katherine L P. 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